And They Spoke in Anthems (B)
Fünf Jahre nach seinem einhellig gepriesenen Debutalbum "June" ("Beste Belgische Platte", 4* auf Radio 1) wird And They Spoke in Anthems endlich sein zweites Album veröffentlichen: "Money Time". Arne Leurentorp hat sich Zeit gelassen. Keine Eile, wie auch immer. Er wollte schreiben, aufnehmen und an seinen Songs feilen bis er das Gefühl hatte, sein Gehirn und seinen Bauch in perfekte Harmonie gebracht zu haben. Und in dieser sich immer verändernden Welt gibt's eine Menge, über das man reden kann.
Die Welt bewegt sich schneller als als das Gehirn es verarbeiten kann.
Leurentop zufolge ist die Welt in einem schlechten Zustand: Wir haben schon lang den Pint-of-no-Return passiert, und doch geben wir vor, Hoffnung auf eine bessere Zukunft zu haben. Mit Jan Chantrain fand er den richtigen produzenten, um "Money Time" in das zu verwanden ,was es nun geworden ist: ein glitzerndes, unwiderstehliches Album, manchmal groovy, manchmal - absichtlich - nicht. Eins ist sicher: Es ist ein sehr launenhaftes und atmosphärisches Album.
im Tonfink tritt Arne solo auf. Er braucht nicht unbedingt eine Band, um seine bunte Welt zum Leben zu erwecken. Gitarre, Loopstation, Percussion, Keyboard und ein paar Sampler reichen aus.
5 years after the unanimous appraised debut ‘June’ (‘Best Belgian Record! ****/4 singles on Radio 1) And they spoke in anthems will release – finally – its second album: ‘Money Time’. Leurentop took his time. No hurry, whatsoever. He wanted to write, record and polish his songs until he felt that his brain and gut were in perfect harmony. And with an ever-changing world, there is a lot to talk about. The world moves faster than the brain can process. According to Leurentop, the world is in a bad shape: we have long passed the point of no return, yet we pretend like there still is hope for a brighter future. In Jan Chantrain (who also played an important part in the making of Douglas Firs’ ‘Hinges of Luck’, Ertebrekers’ ‘Otel’ or The Antler King’s ‘Ten for a Bird’) he found the right man/producer to turn ‘Money Time’ into what it has become: a sparkling, compelling album, sometimes groovy, sometimes – deliberately - not. One thing is sure: it’s a very moody and atmospheric album. Live Leurentop will be supported by Maarten Flamand (The Antler King, Elefant) on guitars and bass-pedals and Jan Dhaenee (Ansatz der Machine) on drums and keys.
And they spoke in anthems (BE), is the band off fulltime melancholic Arne Leurentop, a Belgian singer-songwroter who gained much acclaim with his debut-LP 'June'. Belgian newspapers – De Standaard, De Morgen en RifRaf - praised the album: "For now: the best Belgian record around", "Nice debut" and "Wonderful, this colourful, beautifully layered album."
Leurentop's Anthems also received a lot of airplay: no less than 4 singles were played by Radio 1; he played more than hundred concerts in Belgium (AB, Dranouter, Vooruit, De Roma, Handelsbeurs Gent, OLT, Muziekodroom...) and abroad (Germany, The Netherlands, Denmark, Czech Republic, ...).
Today, 5-years-later, Leurentop has a new record ready. Finally! It's called 'Money Time'.
Both the title and its meaning (implying nowness!, and action!) juxtapose the amount of time Leurentop needed to finish the album. But why did it take him so long? For a while, he thought it fit to come up with a fantastic story about why it had taken him so much time to release 'Money Time'. Fake news is all around, so a fake story would have served him well. What about a row with an Icelandic producer? Or the fact that the chalet where he recorded his album burnt down? Could have been true, but the reality is a little less dramatic.
Leurentop is a perfectionist. He took all the time he needed to write this album. There was no hurry, and he wanted to write, record and polish his songs until he felt that his brain and gut were in perfect harmony. And with an ever-changing world, there is a lot to talk about. The world moves faster than the brain can process. According to Leurentop, the world is in a bad shape: we have long passed the point of no return, yet we pretend like everything is just fine. Some lyrics? 'It's 55 past 11, the future is the aftertaste'/'let's get the hell out paradise, the soul of man never dies'/'Money Time, bring on the tar and feathers, Money Time, we'll beat the night together.'
Musically 'Money Time' is a little darker than its predecessor 'June'. 'Discobar Leurentop Senior's influences are still there (the Beatle-esque arrangement of 'Money Time', the Dylan indebted lyrics in 'Hollow Parade', the high Orbison-note in 'Always Alone') ... On 'Money Time' Leurentop finds himself in (good) melancholic company: Daniel Norgren, Damien Jurado, Jeff Tweedy, Leslie Feist, Villagers, ...
Leurentop called upon some musical friends to turn this record into a piece of gloomy-art: Karel De Backer (drums), Jasper Hautekiet (bass), Sam Vloemans (trumpet) and Pieter-Jan De Smet; the record was produced by Jan Chantrain (who also played an important part in the making of Douglas Firs' 'Hinges of Luck', Ertebrekers' 'Otel' or The Antler King's 'Ten for a Bird'), all of whom turn 'Money Time' into a sparkling, compelling album, sometimes groovy, sometimes – deliberately - not. One thing is sure: it's a very moody and atmospheric album.
Until now Leurentop has always been a solo-artist, live. This changes. He does not want to repeat what he has done before and it takes more than one musician to deliver the record's complexity on stage. He will find himself supported by Maarten Flamand (The Antler King, Elefant) on guitars and bass-pedals and Jan Dhaenee (Ansatz der Machine) on drums and keys.